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Romance

Yes And (ish)
Chicago is home to some of the most brilliant improvisational theatres in the world. There’s one golden rule all performers follow: Never say no. Always say Yes And… Lilly is a brilliant comedic actress. A rising star with nothing in her way. When the anxieties from personal tragedies cripple the actress’s grip with everyday life, she slips into a reclusive pattern that ultimately leaves her suffering from agoraphobia. Bordering on insanity, she now performs monologues every night in her apartment living room in front of an audience she painted on the wall. Her only hope to return to the life she once had is the hilariously reluctant, yet heartfelt friendship she begins with Lee, a washed-up writer who moves in next door.

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The Heiress and the Boy Next Door
Marrying for love holds no appeal for Rozzy Pender. As she’s seen with her parents, giving someone her heart only means giving them the power to hurt her. Besides, she can only inherit the ranch she loves if she marries—which means losing it to her husband anyway. So she comes up with a plan. She won’t marry Rafe, the man she loves, but rather the furthest thing from a rancher she can find—a gentleman from Denver. Conveniently, he’s also the last person she can ever have feelings for, which makes him perfectly safe. Rafe Adams has spent his life at Rozzy’s side, planning for the happily-ever-after that Rozzy can’t seem to see. All he wants is for them to ride the range together on the land she loves. But when she helps him rescue a litter of puppies in his barn overnight and puts both their reputations in jeopardy, Rozzy’s mother forces him to propose before he’s ready, exposing Rozzy’s plot.

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Still With You
She doesn’t laugh. He can’t be serious. How will they ever work together? County librarian Harris Winsted can’t believe she lost her leading man. No. What she really can’t believe is that her friends think Harris’s childhood nemesis, Turbo Baxter, might be able to play the part. Even if it is just a small production to raise money for a hospital library, Turbo’s class-clown personality makes him a disastrous choice. However opening night is three short weeks away. Left with Turbo as her only option, she can only hope he suddenly develops a brain, decorum and a big boil on his handsome face, because when the guy decides to be charming, he is irresistible. But the attraction stops there. She could never be with a man who professes his hatred of libraries and laughs about never reading a book. Turbo Baxter always knew the harmless pranks he’d pulled over the years might catch up to him, but he never expected his brothers, and their wives, would seek revenge by blackmailing him. But, without another choice, he agrees to their terms: one stuffy librarian’s play in exchange for free repairs to his rig. He’s ready to get back on the road and away from books, libraries, and, most of all, beautiful librarians who are in desperate need of a good laugh.

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