Homicide on All Hallows’ Eve
After a whirlwind summer, B&B proprietress and skilled cuisinier Claire Andersen is looking forward to a little R&R in her cozy renovated Victorian for the autumn—and doing a bit of seasonal leaf peeping the Appalachian region is renowned for. She’s barely even had the time to fit in a first official date with her longtime crush, dreamy handyman Ray Hamilton. But she hardly makes it to Halloween when the heartless and rather Cruella-ish Helena Delacroix invites her to host this year’s All Hallows’ Eve Haunted Hootenanny (at the eleventh hour, thank you very much). Sensing the last-minute invitation is a cruel trap, Claire tenuously accepts. But no sooner have her costumed revelers partaken in some wholesome bobbing for apples than a skeleton winds up planted in her cupboard—the real life, fleshless kind. What at first seems a vile practical joke turns criminal when Claire discovers the remains are staged in close proximity to The Black Hand, a decades-old murderous signature commonly left behind by anti-union henchmen in Appalachian mine crime scenes.
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A Flair for Goblins
When Sadie Kramer agrees to help decorate for San Francisco’s high-society Halloween shindig, she expects to find whimsical ghosts, skeletons, and jack-o-lanterns when she shows up at the Wainwright Mansion, not a body. Especially not the body of the woman in charge of the charity event. With two detectives, a paranormal investigator turned television star, and a cauldron full of Wainwright Foundation staff and family members cackling around her, Sadie and her sidekick Yorkie are determined to find out who the killer is. Will an old superstition help lead to the truth? Or will this simply become one more tale in the mansion’s haunted history?
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